Jan 2012 19

By Ben Donnellon

I re-nested.  After about three years living in the different boroughs of New York City, I moved back in with my folks.  Why, you might ask?  Was it because I spent my six months living in Bushwick, Brooklyn sharing a small room with a friend from college…a room that we couldn’t walk across without bumping into each other?  Was it because our landlord across the hall dealt drugs to high school kids?   And that those kids would often sit on the hallway stairs, feet away from our door, waiting for the man. And sometimes after coming home late from a days work I’d see a high schooler, still wearing his backpack, passed out on the steps. Perhaps he was drug crazed, in need of his next fix, or maybe he was getting tutored by the man, I really don’t know, but he was there, right outside of our apartment, resting. Upon arrival, I’d open my door quietly so not to wake him.

I should mention that we lived in a railroad apartment with a married couple, so to use the bathroom we had to exit our room and cross the hall to other side of the apartment, unlocking and locking both doors along the way.  So on occasion, I would spend nights in bed holding in my bladder, fearful of being jumped by a high school druggie as I voyaged across the apartment hallway to use my own bathroom and hoping I could hold it in until morning.  Is this why I left the big city?

Or maybe I moved back home because I spent two years in Astoria essentially living on a porch that was converted into a parlor room, that I then converted into my bedroom.  Oh, I still remember those cold winter nights I spent huddled underneath my blankets, teeth chattering, and wondering why I had chosen this room. At the time I was thinking, “well it’s super close to the backyard, which is pretty cool.”   But that was in March.

No, no, I did not move back home for any of these reasons.   I left the city and re-nested because I wanted to make my film, a dark comedy called “Know Your Logic.”  It was a conscious choice rather than an inevitable product of circumstance.  As you might know, cameras are so freakin’ inexpensive now a days.  Get a smart phone and you’ve equipped yourself to be the next Bob Rodriguez.  But as a necessary and annoying consequence, there are many more filmmakers out there.  It’s a very crowded and competitive field.  So I’ve come to the conclusion that work as a filmmaker you have to go big or go home.  Well, I decided to go big AND go home.  In other words, I had to go home to go big.

Still from "Know Your Logic"

My parents live in Morristown, NJ, 30 miles outside of the city.   Luckily, this proximity has allowed me to re-nest and still frequent the five boroughs.  The FilmShop has been a great way to assure a weekly visit to see friends and stay active within the film community.  After moving back home, the next step was getting a little money to shoot the film, which at the time was called “The Reiss Disorder.”  With the gracious help of friends and family, I raised a modest amount on kickstarter to get me through the production.   I already had a script (you know, that one that you’ve been working on for years), so I was ready to go.  As a local, I was able to secure all my locations for free.  My crew was made up of friends and colleagues from high school that were also into production (and had equipment).  I got my actors from New York.  So for the last couple of months we’ve shot all over town in a coffee shop, a diner, a luggage store (where I had worked for four years), a church basement, the town square, in cars, friends’ apartments, my parents’ house…you get the idea.   Because of all the savings I reaped from filming in my hometown, I was able to pay just about everyone who worked on the film.   We also ate well and had a reasonable shooting schedule.     We’ve completed about 18 full days so far and are still within our budget, which is less than $10,000.

Still from "Know Your Logic"

As I approach the completion of production, I’m also nearing the end of my time at home.  I’ve enjoyed my tenure here.  Home cooked meals, lots of space, and drinking my parents’ alcohol at no charge has been real nice.  I’ve been at home over a year and it’s hard to remember what it was like living on my own.  But in the next couple of months, I’ll be moving back and experiencing it all over again.  By the way, do you need a roommate?   Anyway, I’ll be back in the city and by the spring I hope to finish my film.  I’ll send it off to festivals and see what happens.  We’ll see. That’s all up in the air.  But at the end of the day, all I know is that I tried my best to follow that old mantra, “Come here, go home, go big, then…well…come back.”

Still from "Know Your Logic"

Jan 2012 09

By Kate Bryant

It only took my whole life to get here, but I’m making a movie! It’s true. Half the time I stare at the computer wondering, “What the hell am I doing?” The other half I spend taking deep breaths into a paper bag telling myself, “Yes, you CAN do this; and gosh darnit, you WILL do this.”

I just have to finish designing the website, write these 50 grant proposals, launch the Kickstarter crowdfunding campaign, find an editor, hold a casting call, hire some interns, write the ad to hire the interns, remember to eat, remember to walk the dog, hold down the side biz that’s also not making money, and somehow keep my sanity intact.

What I learned from my first business endeavor is, it’s hard going it alone. Finding people with expertise is absolutely what’s making this film possible. I brought on a producer — someone who is also learning-by-doing, but it doesn’t hurt to have someone else on board for the feedback and support alone. And in turn, he brought along the DP.

My movie is a new kind of animal: the multi-pronged one that’s just the nascent inklings of an entire movement. Because, well, that’s how you make a doc these days…if you want it to result in social action.

Creating the website, the outreach, the distribution plan — these are all running in parallel with the research, production, and cash-raising. And guess what I’m doing next? That’s right, bringing on people with experience in those fields.

So what is the movie I’m making? It is called The Pay Gap (working title) and it’s about pay equity. Women still just earn 77 cents to a man’s dollar, and it’s high time we closed that gap. If you haven’t already, please check out the Facebook page  and hit the Like button.

Sure I’m still faking it for now, but with a supportive audience like you and some talented collaborators, it won’t be long before I can finally say I made it.

The Pay Gap Trailer from kate wave on Vimeo

Dec 2011 22

By Alex Gaylon

I’ve been told that it has never been easy to raise money and make a documentary film. Now with this recession, it’s even more difficult, but we’re creative people and we figure out ways to raise money, work hard, and get by. I have been working on a feature-length documentary about the National Gay Flag Football League for the past year and a half or so. While we have a lot of excitement over at our film’s Facebook page (which I hope you’ll “like” if you haven’t already) and we raised some funds via kickstarter.com to get a computer and hard drives, we haven’t had much luck winning grants that would enable us to spend more time converting, watching, and finally editing the hundreds of hours of footage we’ve acquired. However, we’ve recently put together a new 5 minute trailer that we hope will help our quest for grants and fundraising.

In order to keep the ball rolling, everyone involved in the project has other jobs. I freelance as a videojournalist and have started my own small production company called Karmalize Productions. My passion is live music, so I’m doing what I can to break into the world of filming live performances. Luckily, my roommate is Head Creaghead at Creaghead & Company and she produces wonderful live events. The last video I uploaded was filmed at Heart Of Darkness, my favorite show in NYC, and features Shonali Bhowmik of Tigers and Monkeys performing with HOD’s house band, The Forgiveness . Another fun cameo appearance at HOD was Fred Armisen covering Devo with The Forgiveness.

If I’m not logging Flag Football The Movie footage, editing silly humanitarian news magazine stories, or filming live music, I’m probably blogging about live music at allthingslive.tumblr.com. I post and discuss live music videos that inspire me as well as live music videos that I’ve produced myself. There’s something for everybody, no particular genre; it’s just all live.

Thanks for reading! Now you don’t have to ask me what I’ve been up to!

Dec 2011 07

By Graham Meriwether

My name is Graham Meriwether and I’m a proud member of the FilmShop. I’ve been on the road since July with our documentary, American Meat, a solutions-oriented film surveying the current state of the U.S. meat industry. The following is a piece I wrote after a special screening of our doc in Washington D.C. last week:

Tonight we all learned that there’s hope for the 2012 farm bill.

After the super-committee failed to reach consensus last week, the doors were reopened for a national conversation about agriculture…which is good news for everybody.

Why’s that? Because people like Susan Prolman who runs the National Sustainable Agriculture Coalition (NSAC) will be able to share common-sense solutions to our nation’s agricultural challenges. How? Through initiatives like the Beginning Farmer Bill which helps provide funding to new farmers, and the Local Food Bill which- yep- helps support local farms in every which way- through supporting farmers markets, helping farmers to produce food for local markets, and educating us everyday folks about how, why and where we can get this local food.

What can you do?
Contact your state and federal elected officials and let them know that you support the Local Food Bill & the Beginning Farmer Bill. Right after you’ve done that- join the pulse of agricultural knowledge at Food Democracy Now! where our good friends Dave and Lisa will let you know about the precise moments when to take action about food topics that matter.

Chipotle Steps Up
One person at our screening of “American Meat” tonight asked if we need to focus on supply or demand to grow our movement. Maureen Moodie of Arcadia said we need to do both- that from the supply side- in the urban area of DC there’s more demand for local food than can be met, the challenge is how to inspire young people to consider a career in agriculture.

That is why it was so exciting to have Phil Petrilli- who manages Chipotle restaurants in the Northeast region standing right there. For those who don’t know- Chipotle has recently started sourcing pork from local farms for a few of their restaurants. The first was Polyface Farms- which sourced pork for the Charlottesville, VA Chipotle. The program saves cash because produce doesn’t have to get trucked around the country to get to a restaurant. Instead of traveling thousands of miles- now it travels tens of miles. It also means the produce is more fresh, and it helps to create more jobs. The one-farm-to-one-restaurant program has been successful- and now is at a number of Chipotles- in Texas, the D.C. area, and soon to be PA. They’re essentially writing the book on how to locally source a major chain restaurant, and it’s pioneers like Phil Petrilli who are making the nitty gritty logistical side of distribution happen.

If half of the 1300 Chipotles source locally, that will create tens of thousands of jobs for young people- right smack dab in the middle of the worst job market for people coming out of high school and college. Let’s put a square peg in a square hole- let’s employ these young able-bodied people in a rapidly expanding profitable enterprise also known as sustainable agriculture. If we see the niche market jump from 1% to 10% over the next 5 years, we’ll see a lot of jobs be created and a much needed revitalization of rural America.

The pieces are starting to fall into place. It’s an exciting time to start farming, and an exciting time to be eating, too.

Sep 2011 21












Hey fellow filmmakers,

The FilmShop is looking for new members to join our collective. We are gearing up for our Fall 2011 Season and applications are now available: CLICK HERE!

Our season will begin the first and second week of October (for Tuesday and Thursday chapters, respectively) and run until the second week in February. Member dues for the season are $50.

Hurry up! Deadline for applications is Friday, September 30!

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Jul 2011 28

A night of eye-popping short films, live music and an epic dance party

The FilmShop brings something irresistibly sweet to a silver screen near you with its Eye Candy event at The Knitting Factory Brooklyn on August 11th. It’s a night of short films; live music performances by Project Jenny, Project Jan and Analog Fire; and grooves by DJ Russ (of Flavorpill and soldoutmusic.com) and Bande à Part. A chicken in every pot, a little Eye Candy in every iPad—come have your visual cherry popped.

Doors open: 8:00 p.m.

Admission: $10
Address: 361 Metropolitan Ave, Brooklyn, NY

Featuring:

“Eye Candy” Videos by FilmShop Members

Music by:

PROJECT JENNY, PROJECT JAN

Billboard magazine described Project Jenny, Project Jan’s latest album, Home Sweet Home, as a “shockingly dynamic, danceable affair.” That’s not all the critics are saying about singer Jeremy Haines and programmer/keyboardist Sammy Rubin. CMJ raves “their ability to write catchy songs is just undeniable”—it also named their previous album one of the Top 25 Albums of the Year. Project Jenny, Project Jan’s quirky yet sophisticated electronic sound draws influences from bands such as Aphex Twin, Basement Jaxx, and Gorillaz. No strangers to film, the Brooklyn-based duo was featured on the silver screen playing their song “Negative” in the 2008 movie Nick and Norah’s Infinite Playlist.

ANALOG FIRE

Producers Eno Freedman Brodmann and Greg Louisy, the phantasmal pair at the core of Analog Fire, consummate the unholy marriage of a budget laptop and a loop pedal to birth a synth-heavy sound blending pop and house. Their second album, Refill Remixes, featured remixes by Grammy-nominated Genji Siraisi, of Groove Collective, and Elan Wright of, Superfire and Danger Radio. Analog Fire sit on the fringes, constantly experimenting, collaborating and searching—faithfully committed to pulses, shakes, pounds and soul that keeps the crowd moving.

Grooves by:

DJ RUSS

Social media manager for the listings site Flavorpill by day, deejay and the music blogger behind soldoutmusic.com at all other times, Brooklyn-based DJ Russ knows how to throw down grooves that survivors describe as “face meltingly hot.”

BANDE Á PART

Bande à Part is a DJ duo from Brooklyn who spin rare French 60s pop, yé-yé, garage rock and 80s electro—all accompanied by new wave, experimental and obscure French films.

 

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Apr 2011 25

The truth hurts, but the heart is hard to burn…

 

Through the looking glass….

Directed by Adam Walter

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Apr 2011 19

Watch the Film

The world’s leading guitar makers hope to save the life of the acoustic guitar.

If the overlogging of the world’s forests continues, countless species face extinction and our carbon emissions will skyrocket. But there is about to be another casualty of our diminishing forests…the acoustic guitar. If things don’t change, in less than 10 years the guitar as we know it will be no more…

Principal Crew

  • Produced and Directed by: Maxine Trump
  • Produced and Edited by: Josh Granger
  • Director of Photography: Curt Wallin)

 

musicwoodthefilm.com

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Apr 2011 25

A series of mashups between Lady Gaga and The Social Network soundtrack.

Grammy award-winning recording artist Lady Gaga meets Academy award-winning soundtrack to The Social Network in POKER FACEBOOK, a mashup album.  Using regular YouTube annotations, the album is easily navigable.

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Principal Crew:

  • Lady Gaga
  • Trent Reznor
  • Atticus Ross
  • Greg Dunbar

 

Link to official site: http://pokerfacebook.tumblr.com/

 

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Apr 2011 25

Seven vignettes for Henrietta…

 
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A volatile relationship in seven pieces.

Directed by Adam Waltner

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Apr 2011 25

Vegucated is a guerrilla-style documentary that follows three meat- and cheese-loving New Yorkers from different backgrounds who, for six weeks, adopt a vegan diet and a whole new way of thinking about food.

Watch the Film

Vegucated is a guerrilla-style documentary that follows three meat- and cheese-loving New Yorkers from different backgrounds who, for six weeks, adopt a vegan diet and a whole new way of thinking about food.

Principal Crew:

  • Marisa Miller Wolfson – Writer, Director, Co-producer, Co-editor
  • Frank Mataska – Producer
  • Demetrius Bagley – Producer
  • Mary Max – Executive Editor
  • Sara Leavitt – Editor
  • John Pierce – Director of Photography

Principal Actors:

  • Marisa Miller Wolfson
  • Tesla Lobo
  • Ellen Mausner
  • Brian Flegel

 

IMDB

GetVegucated.com

 

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Dec 2010 21

Worn out from the holidays? Stuck with gifts you don’t have any use for? Come on out January 8th—unwanted gift in hand—to the Music Hall of Williamsburg for a night of short films by FilmShop members, live music, a photo booth and a massive gift swap… you’re guaranteed to leave with a gift you really want!

Doors open: 8:00 p.m.
Admission: $10
Address: 66 North 6th Street, Williamsburg

Featuring:

“Regifted” Videos by FilmShop Members

Music by:

Xylos

Xylos have made a quick rise up bloggers’ radars and favorite lists, including being chosen as one of the “10 Artists to Know in 2011” by The New York Post and one of L Magazine‘s “8 NYC Bands You Need to Hear.”

Living Days

“Brooklyn’s Living Days and their mesmerizing frontwoman Stephonik Youth channel the lust and danger, and yes, the synths and knack for unforgettable melody that made ‘80s new waves so irresistible and give it a gritty, thoroughly modern makeover.” – Blender.com
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Grooves by:

Shantell Martin

Shantell Martin is a sketch projector/VJ and illustrator who has performed and exhibited extensively in Tokyo, London and in cities across the United States.

DJ Jan Woo

DJ Jan Woo is one of Brooklyn’s preeminent up and comers emanating new age boogie and tantric sounds.

DJ Jan Woo

JanMixSide-B1 by jawnethon

Dec 2010 19

FilmShop Brooklyn’s fall 2010 season ended with something old and something new. Graham Meriwether screened the first 20 minutes of his documentary “American Meat,” which long-time FilmShoppers have seen in various stages during its production, and Doug Hosdale screened a rough cut of his new short comedy called “The Duel.”

American Meat” examines the complex economics and ethics of the nation’s meat industry: how it grew into the factory farm system we have today, and how a growing movement of independent farmers are proposing alternative arrangements. Graham has shared all manner of raw footage and rough cuts over the past few years. At the start of the season, in fact, he screened a version of the film’s introduction that lasted almost 40 minutes. FilmShoppers agreed that his newest cut, some 20 minutes shorter, retains the work’s power while helping clarify challenges faced by individual farmers. Indeed, this farmer-centric angle distinguishes “American Meat” from all of the recent food-related documentaries that have premiered in recent years—it’s one film definitely worth watching when it debuts.

Ending on a light-hearted note, Doug Hosdale screened “The Duel.” It follows two history geeks as they re-create famous historic duels to win the lasting affections of a woman, beginning with the famed face-off against Aaron Burr that cost Alexander Hamilton his life. Without giving too much away about the ending, suffice it to say that neither man poses a threat to Takeru Kobayashi or Joey Chestnut. Doug served as director of photography on “The Duel.” Also joining us to hear FilmShop’s comments was Alec Pollak, one of the film’s producers. Interestingly, they began working together on the project—along with writer and co-producer Kris Keeley and director Zorikh Lequidre—after the quartet responded to a meetup.com posting seeking film collaborators.

That’s it for this season of FilmShop but save the date for Saturday, January 8, 2011 when FilmShop presents “Regifted,” a night of short films and music. Works from the Brooklyn, Manhattan, and Hong Kong FilmShop chapters will be shown. Festivities also include a gift swap, photo booth, and live music from Living Days, Xylos, DJ Jan Woo, and VJ Shantell Martin. Doors open 8 p.m. at The Music Hall of Williamsburg, 66 North 6th Street, Brooklyn. Admission is $10 at the door.

Dec 2010 14

Two documentarians presented at FilmShop Brooklyn’s most recent meeting: Marisa Miller Wolfson, looking for the group’s thoughts on a new trailer for her soon-to-be-released film Vegucated, and Liz Nord, seeking feedback on interviews shot for in-production work Battle for Jerusalem.

Marisa’s doc follows three people—a college girl, a 20-something guy, and a single mom of two—as they give up all animal products, from meat to leather clothes, during a six-week period. Will the trio have what it takes to stay vegan, and what will they learn about the treatment of animals and themselves in the process? No plot spoilers here, except to say that each of the three gets sufficiently “vegucated” about veganism.

Marisa, a vegan activist with the group Kind Green Planet, wanted to know if her new trailer has the right stuff to go viral on the Internet… and entice people to see the film. If all this vegan talk whets your appetite for Vegucated, Marisa is currently entering festivals with the completed film. Keep your fingers crossed and wish her luck! In the meantime, look for a fantastic promo on the Web soon.

Liz Nord also has a trailer for her documentary Battle for Jerusalem, but Liz’s promo serves a very different purpose—it’s currently featured on the fundraising site indiegogo.com, where Liz hopes to raise the money necessary to edit a longer trailer that she can show to more donors and thereby raise enough to continue filming. While Liz’s promo on IndieGoGo contains stunning footage of Jerusalem, she instead played loosely edited interview footage of six people and asked FilmShop members which interviewees they found most compelling.

Battle for Jerusalem explores divisions between ultra-orthodox v. more secular Jewish residents of Jerusalem as these groups debate how much influence religion should have over civic life. Among Liz’s interview subjects were two artists, a businessman, a neighborhood activist, a political leader, and a student. To the un-initiated eye, all six were fascinating—but Liz wanted to know which characters were strong enough to appear throughout her entire film. For more about the film, to watch the trailer and to donate, visit Liz’s indiegogo page.

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